Most Popular

"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Ernest Barteldes

  • Party Like an African

    Rival world-music labels release solid new compilations from the motherland

  • Caribbean Jazz Project

  • Teen Spirit Not Lost

    The Bad Plus jazz out pop covers and still remain original

  • Señor Flavio

    The music of Argentina has never sounded so funky.Argentina's Flavio Mandinga, one of the founding members of Los Fabulosos Cadillacs, has crafted a solo project that explores various sonic textures and defies genre classification. Simply listen to "Minis

  • Beyond a Pretty Face

    Juanes delivers songs with a message

National Features >

  • SF Weekly

    Viva Farolito!

    Former pros from Latin America help make an "amateur" soccer team unstoppable.

    By Lauren Smiley

  • Houston Press

    The Myth of the Bachelor's Degree

    A growing number of educators face a hard truth: not every kid is college material.

    By Todd Spivak

  • Miami New Times

    Love is No Contract

    A Florida man sues his girlfriend-for dumping him.

    By Isaiah Thompson

Señor Flavio

The music of Argentina has never sounded so funky.Argentina's Flavio Mandinga, one of the founding members of Los Fabulosos Cadillacs, has crafted a solo project that explores various sonic textures and defies genre classification. Simply listen to "Minis

By Ernest Barteldes

Published on April 10, 2008

Argentina’s Flavio Mandinga, one of the founding members of Los Fabulosos Cadillacs, has crafted a solo project that explores various sonic textures and defies genre classification. Simply listen to “Ministra,” a rocksteady-tempo track seemingly inspired by early UB40 with a touch of psychedelics. Later comes “Polaroid 66,” which draws from Brazilian ´80s rock via its soft guitar and drum patterns. Doo-wop tune “La Herida” brings further eclecticism, with bittersweet lyrics detailing the pain of a broken heart that will never mend. Then the album meanders into ´60s-style territory with the straight-ahead rocker “Oportuna.” Yet another highlight is “Cristina,” which contains elements of cumbia blended with electronic beats by DJ Bochokenado, who also guests on the bolero-tinged “Tropicana So.” In a CD with so many divergent tendencies, weaker moments are inevitable. “Retirada Murguera Porteña,” an instrumental track, completely fails to excite; the same goes with the rockabilly-inflected “De Story of De Loko.” But despite these two shortcomings, Supersaund 2012 is a pleasantly challenging work. Fans will likely take some time to get the album’s concept, but once that happens, the music might just stick for a long time.