Most Popular

  • Sexual Healing
    Sad stories and otherwise freaky tales from Florida's last sexual surrogate
  • To Hug a Porcupine
    Three little boys set out to destroy the parents who loved them. This isn't how adoption is supposed to work.
  • Cookie Monsters
    It's the old diet doc versus the marketing gun in the great war of the tasty appetite suppressors
  • Smoked Tuna in the Can
    He was the first big bust of the War on Drugs. That and two bits won't get you a cup of coffee.
  • Shark Huggers
    Tourists can't wait to get next to them – even if they are eating machines
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Braden Ruddy

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Santogold

By Braden Ruddy

Published on May 15, 2008

Whoever came up with genre classifications for music obviously never heard of Santogold. The alarmingly catchy self-titled debut by Philly native Santi White offers an endless cache of crossover tunes ranging from indie pop, punk/ska, and dub reggae to new wave and electro club. In many cases, the genre-busting aural fusion echoes within individual tracks. From the first guitar chord of "L.E.S. Artistes" to the final crisp snare in "You'll Find a Way (Switch & Sinden Remix)," this concise package draws you in and keeps you guessing, ready to hear what will be thrown your way next. Producer/guitarist J. Hill sets the tone of the rockier numbers like "Say Aha," "L.E.S. Artistes," and "Lights Out" while Diplo and Switch provide beats and knob-tweaking know-how for electro-clash bangers "Creator," "Unstoppable," and the album's strongest contender, "Starstruck." Throughout the album, Santi's voice sounds just as good sing-jaying over a trancehall riddim as it does power-ballading along with songs that have pop crossover appeal. Chock-full of bright tunes, these versatile tracks are a marketer's wet dream — "Creator" has already earned a prime-time Bud Light Lime spot. Let's hope Santogold concentrates on making more great music and avoids the green-paved path of other critically acclaimed releases (ahem, Feist), whose ditties got pimped out to any ad exec who came a-knocking.