Most Popular

Recent Articles

Recent Articles by Michael Roberts

National Features >

  • SF Weekly

    The Rise and Fall of "The Monster"

    Gay porn star Michael Brandon goes from meth addict to anti-drug crusader--and back.

    By Ashley Harrell

  • Dallas Observer

    My Two Sons

    Andrew and Freddy Velez are the first brothers to die in America's War on Terror.

    By Megan Feldman

  • Westword

    Skateboarding in Iraq

    Llewellyn Werner thinks a few half-pipes could get Baghdad's economy rolling.

    By Jared Jacang Maher

Rancid

By Michael Roberts

Published on June 19, 2008

Like Green Day, Rancid was once reviled as a band of poseurs by much of the punk-rock intelligentsia but is now seen as a standard-bearer for the genre — and sheer persistence is a big reason. Early discs such as 1995's And Out Come the Wolves were so derivative of the Clash and Britain's early-'80s Two Tone movement that they verged on copyright infringement, and subsequent material didn't exactly qualify as wholly original. Still, Tim Armstrong, Lars Fredericksen, and their brethren proved to be true believers in the punk code, and their brand of integrity, combined with enthusiasm and good taste, eventually softened all but a handful of critics. After a hiatus through much of 2004 and 2005, the band has returned with a slightly retooled lineup, with Branden Steineckert replacing Brett Reed on drums. A new album of material, the band's first since 2003, is forthcoming this summer on Hellcat Records.



Broward-Palm Beach New Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com