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Recent Articles
Recent Articles by Brandon K. Thorp
The devil in Conor McPherson's The Seafarer isn't there to nudge you away from evil
Artists, writers, and designers share the marquee at the Art and Culture Center of Hollywood
History is like a lead weight in deep water — in two different productions
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National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
American Pie
Miamis artistic disunities on display at the Bakehouse Art Collective
Published on September 20, 2008 at 12:01am
If America is a melting pot, then Miami is a bakery, and its neighborhoods are its ovens. What comes out of them is lovely, but so resolutely individualistic that youd never want to stick them together in a broth. The Gables crystallizes into a luxurious middlebrow Valhalla, South Beach explodes nightly in subtrop decadence, and bandana-wearing Wynwoodians busily maintain their Districts rep as the warmest, Latin-est boho enclave in the country. The Bakehouse Art Collective, tucked away in Wynwood, was once a bakery, back when Miami hitched up with the tail end of American industrialization. But the BAC (561 NW 32nd St., Miami) a massive, three-acre artists collective that produces, displays, and sells art still retains a certain bakers sensibility. This is evidenced by the BACs new exhibition, Walls Without Boundaries, a showcase of Miamis benign disunities, idiosyncrasies, and insane multiplicities that doesnt even try to make them cohesive. Mid-career Miami artists of all background will show their work here through October 3. Visit www.bacfl.org, or call 305-576-2828 for more info.
Sept. 28-Oct. 3, 2008