Truck Stop

After undervalued supporting turns in Kiss Kiss Bang Bang, North Country, and Gone Baby Gone, dainty girl-next-door type Michelle Monaghan finally and deservedly snags a star vehicle in the film Trucker to show off her chops. Against the roadside Americana of writer-director James Mottern's well-shot desert drama, Monaghan flips the...

By Aaron Hillis

November 12, 2009

Audio By Carbonatix

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After undervalued supporting turns in Kiss Kiss Bang Bang, North Country, and Gone Baby Gone, dainty girl-next-door type Michelle Monaghan finally and deservedly snags a star vehicle in the film Trucker to show off her chops. Against the roadside Americana of writer-director James Mottern's well-shot desert drama, Monaghan flips the bird to vanity as a hard-drinking, promiscuous, blithe, and ballsy big-rig driver named Diane, and her performance is transformative enough to forgive Mottern's boilerplate narrative. It's the negligent parent and estranged child forced-reunion tale: Diane's long-hauler lifestyle is literally slowed down when her angry 11-year-old son, Peter (Jimmy Bennett), gets dumped in her lap after baby-daddy Len (Benjamin Bratt) is hospitalized with cancer. There may as well be a road sign announcing Diane's transformation from reckless loner to diligent mother, but it's a smooth ride thanks to Monaghan, and an impressive ensemble. Bennett, last seen in Shorts, proves one of the more talented, least cloyingly precocious child actors today, and the always-charming Nathan Fillion continues his run as a married local who can barely suppress his feelings for bar buddy Diane.
Tue., Nov. 17, 4 p.m.; Wed., Nov. 18, 4 p.m.; Thu., Nov. 19, 4 & 8:15 p.m., 2009

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Aaron Hillis is a regular film contributor at Voice Media Group and its film partner, the Village Voice. VMG publications include LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.